Review of the best according to the editors. About the selection criteria. The the material is subjective, is not advertising and is not serves as a guide to the purchase. Before purchase is needed consultation with a specialist.
Bella Akhatovna Akhmadulina – one of the most famous poets second half of the XX century. Her poems pierced by incredible lyricism and sensuality, known, perhaps, to every resident of the post-Soviet space. The work of Bella Akhmadulina – both modern and eternal, since it interweaves actual images with classic motives.
Her work is distinguished by an unusual melody. Rhymes used in verse – unbanal, often unexpected and amazing. The poetess uses all the wealth of the Russian language, practically without resorting to “newspeak” or Englishism. But despite on sensuality and lyricism, in her works often praised image of a strong woman.
For those who want to admire one of the amazing representatives of Russian poetry and literature, we have compiled rating of the 10 most famous and best poems by Akhmadulina. For placement of works in the top used search data cars.
- Poems by Akhmadulina – the best and most famous works poetesses
- 10th place: “Not a word about love …”
- 9th place: “Autumn”
- 8th place: “Night”
- 7th place: “August”
- 6th place: “Candle”
- 5th place: “The Tale of Rain”
- 4th place: “Farewell”
- 3rd place: “What a bliss that sparkles of snow …”
- 2nd place: “On my street which year …”
- 1st place: “Oh, my shy hero …”
Poems by Akhmadulina – the best and most famous works poetesses
|Review of the best poems by Bella Akhmadulina||10||“Not a word about love …”||4.1|
|5||“The Tale of Rain”||4.6|
|3||“What a bliss that sparkles of snow …”||4.8|
|2||“On my street which year …”||4.9|
|1||“Oh, my shy hero …”||5.0|
10th place: “Not a word about love …”
Our rating opens with one of the most lyrical and metaphorical. works of Bella Akhatovna. In this poem, published in 1973 – at the peak of creativity and popularity – the poetess skillfully plays a variety of images. Here, too, the author-heroine appears a strong woman who even with some sadness “criticizes” “colleagues”, singing feelings, romance and love.
“Not a word about love …” due to its metaphorical and the overflow of various images may seem enough difficult to perceive. After all, in it there are both ordinary and sensual elements. “Universal wormwood” is found in one stanza with a mention of the monument to Gogol, and Arbat, now tourist and commercial, it appears as a “desert of white dunes.” Author intentionally uses such images to show the spiritual state of the heroine – a man who “strangled” his ability to love for the sake of survival in the modern world, but at the same time preserving subtle sensuality.
9th place: “Autumn”
Autumn has always been an inspiration for Russian poets. And Bella Akhmadulina also could not help but share her feelings, with which she arose when contemplating natural wilting nature.
But in the poem “Autumn” Bella Akhatovna demonstrates extremely unusual approach to the description of feelings and emotions arising at that the time when the leaves on the trees turn yellow first, and then crumble. She does not admire sadness, does not sing it. On the contrary, in she says that the fruits of mental labor that give birth autumn – empty. And even though they are born in painstaking efforts, the source for them is nothing.
Separately, the poetess gently criticizes attempts to show wisdom in this is the time of year. She calls them “laziness.” And, they say, man, who refuses creativity and work in the autumn for the sake of contemplation of the withering of nature is not wise at all. He is just lazy. AND these two states are very similar to each other.
8th place: “Night”
Written in 1965, a dedication poem to Andrei Smirnov, “Night” tells of the difficulties of writing poetry. In it, the poetess talks about how difficult it is to create, and at the same time uses some of the most striking images, epithets and metaphors.
Indeed, “Night” is different from Bella’s other works. Akhmadulina amazing imagery. When reading, you “stumble” already in the first line, the same one where “the dawn is getting dark.” This image, how substandard, just as obvious, immerses in amazing, viscous and furious atmosphere of the poem.
As in her other works, in The Night, the poetess puts doubts are familiar concepts and conditions. Say that the intellectual lift that we often experience at night is not at all “sharpness of mind.” This is a combination of midnight excitement with liters drinking coffee. And so in the night we are awake and active, but still not capable of creativity.
7th place: “August”
Written in 1958, the poem “August” is the brightest An example of early lyrical prose by Akhmadulina. In it, the author-heroine is still does not appear that strong, seasoned in domestic and life turmoil by a woman, as she can be seen in later works.
But already in this work you can see how a poetess Drawn with rhymes and images. She takes real phenomena (in particular – the meteor shower Perseid, which is the most it is clearly observed just in August at the southern latitudes) and complements them lyrical context. The rhymes here are also unexpected, quite amazing and non-standard, but at the same time not violating melody of the text.
And let the main mood of the poem be a little unusual for Bella Akhmadulina’s works – lyrical regrets about the lost love – it still occupies an important place in the bibliography the author.
6th place: “Candle”
In the work of the poetess is almost a subgenre dedication poems. In them Bella metaphorical language talks about the difficulties of creativity. This keynote It was demonstrated both in the night dedicated to Andrei Smirnov, and in “Candle”, whose addressee is Gennady Shpalikov.
In The Candle, the poetess again combines simple, understandable to anyone human characters with deep metaphor. As critics said, Bella Akhmadulina knows how to see additional meanings in each the subject surrounding us. And the “Candle” is the most vivid confirmation this thought.
The verse does not demonstrate the difficulty of creativity so vividly as in, for example, Nights. On the contrary, the “Candle” shows how the author easily can extract meanings from any object, displaying the connection of our environments with an emotional state.
But of particular interest is the language of the work. While most of the poem is built from common words, periodically, the poetess uses unusual terms. They serve almost “anchors” for which you “cling” while reading. But at the same time they do not look alien – on the contrary, they fit easily into the overall melody of the piece.
5th place: “The Tale of Rain”
“The Tale of Rain” is one of the largest works Akhmadulina. A 12-part poem that is complemented by a children’s choir for authorship of Evgeny Yevtushenko, the first wife of the poetess.
“The Tale of Rain” – this is surprising from a language point of view composition. Even if you consider that the poetess is very free, but with this respectfully treats Russian literature. Syllable here especially archaic and grandiloquent, unusual for the rest works, and allegories are incredibly bizarre.
Such linguistic complexity helped lull the censors’ vigilance, and a work that, in essence, criticized the Soviet anti-religiosity, “gone into the people.” And not only “word of mouth radio, “by no means.” The Tale of Rain “and in magazines published, and in collections, even a phonograph record, on which the author reads this work has been released.
In The Tale of Rain, the poetess compares the spirituality of society with drought, desertifying the earth. She talks about being in The Holy Spirit, and what loneliness feels in the atheistic society. But all this is conveyed through complex allegories and layered metaphors therefore determine the true message works on first reading can be difficult. And to someone “The Tale of Rain” and does seem a sweet and funny story with fantastic storyline.
4th place: “Farewell”
Written in 1960, the poem “Farewell” is the most known by the first line, which sounds like “And finally, I I’ll say … “Already this phrase, which has a pronounced, characteristic creativity of Bella Akhmadulina emotional color, sets on a certain way.
Like other works by early Akhmadulina, “Farewell” characterized by allegorical and metaphorical, as well as deliberately lavish language. In addition, the poetess uses rhythmic techniques to demonstrate the internal state author character. So, in the third quatrain, the melodic line and the poetic size breaks sharply to show “soullessness” and emptiness of the heroine.
In addition, Farewell also demonstrates how well the poetess handled the sound of the Russian language. First the quatrains are not only melodious. They are saturated with assonance, thanks to which they become especially melodic – again, sharply breaking off on the third. But the poem doesn’t end with him, showing that even after a fracture, loss, devastation, the poetess still alive, still able to create.
3rd place: “What a bliss that sparkles of snow …”
“What a bliss that sparkle of snow …” – one of the cutest works of Bella Akhmadulina. Despite the fact that it is permeated light, light sadness – like other poems of this the famous poetess – it is mainly dedicated to the holiday. New year.
In the verse, the poetess celebrates the solemnity of waiting for the celebration. That subtle, but almost magical joy, which is filled premonition of New Year’s fun. And, in her usual manner, the poetess sees deep symbolism in everyday things. It describes the festive mood through decoration objects, noting “descended tenderness and spruce” and ascending above the ordinary and gloom serpentine with tinsel.
Indeed, New Year’s Eve is an amazing period, when you can reject everyday despondency and just start to admire the surrounding world, dress up a spruce and expect a miracle.
2nd place: “On my street which year …”
“On the street of mine which year …” – this is one of the first poems Bella Akhmadulina. It clearly reflects the period of early creativity, when the poet’s works were filled with complex, multifaceted and layered metaphors. Akhmadulina wrote this verse when she was only 22 years old.
A poem about the transience of time in which each line it seems truly distressed, it has become especially popular through 20 years after publication. It was then that M. Tariverdiev turned it in the romance sounded in the cult film Irony of Fate, or C light steam!”.
Surprisingly, this poem exists in several options. In “folk performance” it lost several stanzas. IN song from “The Irony of Fate …” it is also given in an incomplete form. In addition, Bella Akhmadulina herself, performing it live, periodically changed lines and words. Therefore, it is difficult to say which true version of the work. In addition, there is even “acute political” version of the poem, in which the word “fear” replaced by “power.”
1st place: “Oh, my shy hero …”
The most famous and perhaps the most representative Bella Akhmadulina’s poem, “Oh, my shy hero …” became most popular after it sounded in the beloved people of the movie “Office Romance”. I read it in the tape Svetlana Nemolyaeva, an actress who performed one of the roles. Her gentle but at the same time a slightly torn and hoarse voice since associated with this work.
This poem was first published in 1961. Can suggest that it describes a break with the poet Eugene Yevtushenko, two years earlier, but direct evidence no. Like many other works of the poetess, it describes a strong author-heroine who has survived and is experiencing turmoil.
Having become a public person and having experienced many difficult events, the poetess represents the author-character as an actress, filling poem with additional meanings. She defines a broad the public as herds hungry for entertainment – and this is not surprising. how it is known that after the break with Yevtushenko, the poetess was forced to do abortion, and this was actively condemned by Soviet society. Although, in fact, Who could be the matter?
Attention! This rating is subjective, not advertising and does not serve as a guide to the purchase. Before the purchase consultation with a specialist is necessary.